Maya is an multi-media artist working in film, video, performance, installation and community-generated projects. Her work interrogates social imaginaries of American culture and how constructions of gender, race, class and progress operate in our shared myths, public rituals and private desires. Social practice has been integral to Maya’s work since 2001, and she has led projects in that vein nationwide, in diverse rural, urban, and suburban communities. Hole in Space (Oakland Redux), commissioned by The Great Wall of Oakland in collaboration with Ellen Sebastian Chang, was recognized as the “Best Public Art Installation” in the Bay Area.
Her writing has been published in Contemporary Art Review LA, LA Review of Books (where her essay, Kompromat, was their most read of 2019), This American Life, The Frame at KPCC, ACID-FREE, The Awl, InDance Magazine, and an anthology, CRuDE, published by École Nationale Supérieure d’Art, Bourges.
Maya’s depth of experience with making, presenting and writing about art lends substantial expertise to the programming arm of Alder Row. She serves as the Secretary of the Board.